ANDREW MELLAS – The Liturgical Emotions of Hymnody: Romanos the Melodist and the Songs of Pascha | Yale ISM
Part of the Historical Studies in Christian Liturgies webinar series. Andrew Mellas, St. Andrew’s Theological College & University of Sydney.
Romanos the Melodist (Greek: Ῥωμανὸς ὁ Μελωδός; late 5th-century — after 555) was a Byzantine hymnographer and composer, who is a central early figure in the history of Byzantine music. Called “the Pindar of rhythmic poetry”, he flourished during the sixth century, though the earliest manuscripts of his works are dated centuries after this. He was the foremost Kontakion composer of his time.
The hymns of Romanos the Melodist sought to shape an emotional and liturgical community in Constantinople. Retelling the sacred stories of Scripture, they became liturgical scripts for the faithful, teaching them to yearn for compunction, weep with grief and dance for joy. Amidst the liturgical mystagogy that hymnody, iconography and sacred space evoked, the emotions of the singer could mirror the feelings the hymnographer’s song betokened. Emotions formed part of the desire for and experience of the salvific mystery in Byzantium. However, they were transformed together with the whole of human nature in this mystical experience. This paper will explore one of Romanos’ paschal songs, On the Resurrection VI, which invited the faithful to experience the dialectic between the beginning of salvation history and the end of all things, weaving together the fallenness of the congregation with the promise of rebirth. While this paper will also allude to other hymns composed for Pascha, it will consider how the tears of the Romanos’ protagonist, Mary Magdalen—who was conquered by weeping but overcome by the fire of love—embodied a metamorphosis of grief into joy. In the liminal space between the absence and presence of Christ’s body, during the interlude between crucifixion and resurrection, Romanos’ song elicited a longing for the eschaton that is yet to come but already dawning.
“The Nativity of Christ”, by Romanos the Melodist:

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